IN THIS SECTION:
Matt Bogart | Sutton Foster | Dee Hoty | Judy Kuhn | Donna McKechnie | William Michals | Stephanie Pope | Alice Ripley | Tom Wopat
Alice Ripley
Last fall, Ms. Ripley kicked off the season at Arena Stage in Washington,
D.C. as Lydia Lansing in the world premiere of Ken Ludwig's screwball
comedy Shakespeare in Hollywood. On Broadway, Alice has
created the roles of a corseted Irish free spirit (Molly Ivors in
the musical play James Joyce's The Dead), a bare-ish newlywed
on the honeymoon from Hell (Janet Weiss in The Rocky Horror
Show), a conjoined twin (Violet Hilton in the cult hit Side
Show, for which she received both Tony and Drama Desk Award
nominations for Best Actress in a Musical), a hopeless romantic
(Betty Schaefer in Sunset Boulevard), a mad scientist (the
Specialist's Assistant in The Who's Tommy), and the Bible's
first loose woman (Bathsheba in King David), as well as
having a long stay at the Imperial Theatre in Les Miserables
as Fantine (dead by 8:45).
In 2002, Alice played to rave reviews and shoulder-to-shoulder
audiences as Amy in the John F. Kennedy Center's production of Company
as part the Center's landmark Sondheim Festival. Later that year,
she played Emma in Andrew Lloyd Webber's one-woman tour-de-force
Tell Me on a Sunday, also at the Kennedy Center. She was
recently nominated for Helen Hayes Awards for both productions.
Her one-season stint as a "Hee Haw" Honey (when TV's
longest running country comedy show was revamped in 1991) has remained
a buried treasure in the acting world, at least north of the Mason-Dixon
line, until now. Her two most notable musical theatre recordings
are Duets and Unsuspecting Hearts (Fynsworth Alley).
Alice is a performing songwriter and a debut album of her own words
and music, Everything's Fine (Sh-K-Boom), was released
in 2001. A second album of original songs is currently in the works.
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